This painting of Venice from 2008 was inspired by Turner’s Venetian watercolours and seemed appropriate to post after my last three exercises from the chapter in Lesson’s from the Great Master’s entititled Joseph Mallord William Turner: colour harmony.
Month: July 2015
Just because…
…it’s July, the sun is shining, the flowers are glorious
and our new granddaughter is just beautiful…
Studio 365: Day 195
Studio 365: Day 194
Studio 365: Day 193
Lessons from the Great Masters Day 9, part 1 – 12.7.15
I have been looking forward to this chapter, entitled Joseph Mallord William Turner: colour harmony, ever since I received the book in the mail.
Turner is perhaps the greatest master of watercolour painting the world has known. His work has inspired me ever since I first saw his paintings in the Tate Gallery in London as a young boy. His mastery of light, colour, landscape, sky, mystery and atmosphere are second to none. He was a man ahead of his time; the first of the impressionists.
These exercises are a revelation and make this a wonderful journey to be on; more tomorrow.
Roy G.Biv still works here. I think it’s time he tidied up a little don’t you?
Can there be a more perfect symbol of love, joy, trust and hope than the grasp of the little hand of our beautiful granddaughter who is two weeks old today.
Although I posted this photo the day after she was born, I hope you agree that this close up is worth the re-post in response to Jen’s invitations for this Week’s Photo Challenge, to “…share a symbol with us, and tell us what it means to you.”
Sand Dunes and Morro Rock 10.7.15
This watercolour exercise was inspired by ms.diplomacy’s photo entitled Morro Rock View, which she posted on July 8th. I loved its minimalism, complementary colors, shapes and spaces. Many thanks ms.d 🙂Studio 365: Day 190
Studio 365: Day 189
Lessons from the Great Masters Day 8, part 1 – 8.7.15
Today’s lesson was entitled Jean-Baptiste-Camille Corot: balance of light and dark elements. The image started simply with a light wash followed by dark solid shapes leaving sky-holes within the foliage and painting a single tree-trunk within the reserved white of the sky. Highlights were created scraping the paint away with a sharp knife. Look for the color exercise tomorrow.











